Hollin & Marsh Architects · 2024

Kestrel House: a timber home photographed for an award entry

A larch-clad house on a loch shore, shot in the four days between handover and the owners moving in, for an award submission and the practice's monograph.

  • Architecture
  • Interior
  • Landscape
Client
Hollin & Marsh Architects
Year
2024
Role
Architectural photographer
Duration
2 days on site
Services
  • Architectural photography
  • Interior photography
  • Award submission set

The problem

Hollin & Marsh had spent three years on Kestrel House, a low timber home on the edge of a Highland loch. They wanted pictures for a national design award entry and their first printed monograph, both due within five weeks. The submission rules asked for twelve images, at least four interiors and one image that showed the building in its setting.

The window was four days, between handover and the owners moving in with their furniture and two dogs. The forecast showed flat grey cloud for three of those days. Budget covered two shoot days plus travel, and the architects were firm that the pictures should look like the house actually feels, not a bright, over-lit property listing.

Process

  1. I

    A walk-through with the architects

    I walked the house with the project architect on the first evening, noting where the sun would fall through the clerestory each hour. We agreed a shot list of twenty-two views and marked the three that mattered most for the jury: the long kitchen axis, the stair against the window wall and the house from the far shore at dusk.

  2. II

    Ambient light first, flash only to fill

    Interiors were shot on a 24mm tilt-shift lens with the camera level, so verticals stay true without heavy correction. I bracketed every view in ambient light and added a single bounced flash only to open the deepest corners. Overcast days turned out to be useful: the soft, even light suited the pale larch and kept the window views readable.

  3. III

    Restrained editing

    I blended exposures by hand rather than with automatic HDR, so window frames keep a clean edge. The grade stays close to what you see on site: warm timber, grey loch, no added sky. I also delivered a set of uncropped files so the monograph designer could crop to spreads without asking me for alternatives.

01Fig. 1 — The house from the far shore, 4:52pm in November, 70mm
02Fig. 2 — Kitchen axis under flat cloud, 24mm tilt-shift, ambient only
03Fig. 3 — Stair against the window wall, one bounced flash, 24mm
04Fig. 4 — Larch cladding detail after rain, 100mm macro
05Fig. 5 — Lit windows at blue hour, 8 sec at f/11, 45mm

Outcome

The practice submitted fourteen images and Kestrel House was shortlisted in the residential category. The dusk exterior became the monograph's cover, and the kitchen axis image now opens the firm's website. The owners bought a large print of the stair for the house itself, which hangs where it was photographed.

26
final images in two days
5 days
from shoot to delivery
1
award shortlist

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