Services
Commissions, licensing, prints and workshops
Most of my year is commissioned work for magazines, architects, hotels and food brands. The archive is available to license, the best frames are printed in small editions, and twice a year I teach.
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Commissions
Editorial, architecture, hotel and still life shoots, planned from a scout and a shot list. Day and half-day rates, travel at cost, a stylist or assistant when the brief needs one.
- Location or studio scout
- Agreed shot list
- Graded files in 5 working days
- Usage licence in writing
From $2,400/day
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Licensing
Over 9,000 captioned images of coasts, landscapes, interiors and food, available for editorial, advertising and packaging use. Licences are priced by use, territory and term, not by guesswork.
- Full-resolution files
- Model and property releases
- Written licence terms
- Same-day delivery
From $350/image
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Prints
Archival pigment prints and darkroom silver gelatin prints from the film work, in editions of 30. Signed, numbered and shipped flat or framed in oak.
- Editions of 30
- Signed certificate
- Framing in oak or walnut
From $280
- 04
Workshops
Two-day field workshops for six people at a time, on coastal landscape and on interiors with natural light. Shooting at dawn, editing in the afternoon, honest portfolio reviews.
- Two days in the field
- Group of six
- Editing session
- One-to-one review
From $690
Process
How we will work together
- 01
The brief
A short call about the story or the product, where the pictures will run, the dates and the budget. You get a written quote within two days.
- 02
The scout
I visit the location or study it remotely: sun path, tides, floor plans and access. The shot list is agreed before the first frame.
- 03
The shoot
One to several days on location or in the studio, with tethered capture so you can approve frames as we go if you want to.
- 04
Edit and delivery
Selected, graded files for print and screen in five working days, named and captioned, with the usage licence attached.
What clients say
“Noor Haddad came back from the Faroes with a cover, two spreads and a story told in pictures. The planning sheet alone told me we were in good hands.”
Ingrid SolheimPhoto editor, Northbound Quarterly“Architects are fussy about verticals and fussier about honesty. These images look like the building on a grey afternoon, and that's why the jury liked them.”
Callum MarshDirector, Hollin & Marsh Architects