Northbound Quarterly · 2025
Salt Line: six days of winter light on the Faroese coast
A fourteen-page winter feature on the coastal villages of the Faroe Islands, shot in five hours of usable daylight a day with gale warnings on four of six days.
- Client
- Northbound Quarterly
- Year
- 2025
- Role
- Photographer, location research
- Duration
- 6 days on location
- Services
- Editorial commission
- Location scouting
- Film and digital capture
The problem
Northbound Quarterly wanted its February issue to open with the Faroese coast in winter, not the green summer postcards readers already knew. The writer had already filed the story about fishing families on Streymoy and Eysturoy, so the pictures had to follow the text: specific villages, specific harbours and two named people who had agreed to be photographed at work.
The constraints were tight. In late January the sun rises after 9:30am and sets before 4pm, and it rarely clears the hills. Wind regularly passed 60 km/h, ferries were cancelled twice, and the magazine's budget covered six days on the ground, one rental car and no helicopter. The art director also needed a vertical cover option and two full-bleed spreads.
Process
- 01
Scouting with tides and forecasts
Before flying I mapped every location from the story against tide tables, sunrise azimuth and the Faroese road cameras. I built a two-column plan: calm-weather shots on exposed headlands and storm-day shots in sheltered harbours. On arrival I spent the first afternoon driving the route, marking three backup viewpoints for each scene on an offline map.
- 02
Two systems, one look
Landscapes were shot on a Pentax 67 with Kodak Portra 400 and on a medium format digital body on a weighted tripod for the long exposures. Portraits used the 80mm equivalent and only available light, with a white umbrella held as a windbreak rather than a reflector. Every film frame had a digital twin in case a roll fogged in the cold.
- 03
Grading for newsprint and paper
Negatives were lab-developed in Copenhagen and scanned at 6,000 pixels on the long edge. I graded the digital files to match the film: lifted blacks, cool shadows and restrained greens, so the spreads read as one story. Final files were converted to the magazine's FOGRA39 profile and proofed on their paper stock before delivery.
Selected images
We gave Wren Takahashi a short winter, a tiny budget and a list of places that refused to cooperate. The pictures look calm, which is the opposite of how the week felt.
Outcome
The story ran across fourteen pages and the cover, a single vertical frame of the Gjógv gorge at low tide. The magazine later licensed six images for its winter subscription campaign, and two prints from the series sold out in a run of thirty. The family on Eysturoy now uses one portrait on their smokehouse labels.
- 38
- final frames delivered
- 14 pp
- plus the February cover
- 6
- images relicensed for campaign
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